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It is a rare occurence when a composer dedicates a big part of his or her life to the work of another composer and it is even a more unusual occurrence when such a composer remains an original and talented figure with his own individual developed style. A good example of that kind of composer is Alexander Nemtin, who in 1996 completed the great project thought of by his older compatriot Alexander Scriabin - the Prefatory Action.

Tuesday, 29 March 2011 20:17

Tatiana Nikolaeva: Life in the name of music

Published in Music history Written by Lozbeneva C.

Tatiana Nikolaeva is one of the brightest names of Russian musical culture of the last century. A brilliant pianist, who won world fame, an outstanding pedagogue, composer, musician ... God generously gave her not only the unsurpassed musical talent, but also a rare kindness, flaming heart, deep humility and infinite love of music what now is rarely found among professional musicians.

 

Tuesday, 29 March 2011 20:16

A masterpiece of piano transcription

Published in Methodical work Written by Golovataya G.

Tchaikovsky called him a pianist "the Mercy of God". Taneyev, A.I. Siloti and A. Rubinstein also thought highly of him. Pavel (Paul) Pabst is an outstanding pianist-performer, a prominent educator, one of the leading professors of Moscow Conservatory, the creator of his own pedagogic school, composer and editor.

 

The string quintet does not provide well-tempered open strings. This way, the temperament of the orchestra contains five (excluding the repetitions in the different octaves) fixed points,
c—g—d—a—e

 

Tuesday, 29 March 2011 20:14

Out of reminiscences about D.M. Tsyganov

Published in Memory pages Written by Zabavnikov N.

D.M. Tsyganov was born March 12, 1903 in Saratov. He began to study music from childhood mastering at the same time playing the violin and piano, first under the guidance of his father, who was a violinist, and then under J. Hasek. Later, Dmitry arrived in Moscow, entered the Conservatory and immediately and actively joined the creative life of the capital. As solo violinist he performed at many concert stages, created interesting programs, among which there were a huge number of works by N. Paganini. Then a unique event came over in his life - the organization of the quartet, firstly the Moscow Conservatory Quartet, and later - Beethoven Quartet.

The quartet was founded in 1923 by first Soviet graduates of the Moscow Conservatory. The history of the quartet was not quite common. V. Shirinsky wrote his graduation work on composition Quartet № 1. Vasily said: "We met by chance in fact. My friends, graduated from the conservatory a year ago, kindly agreed to help me". The debut was very successful, and members of the State Examination Commission Igumnov and Miaskovsky advised the participants to continue working together. So that student exam was the beginning of a creative way of these "Beethoven-musicians". But Dmitry also continued solo activities. He always gave concerts in Moscow and in Russia, appeared in sonata ensembles with Igumnov, Neuhaus, other prominent artists, and played also with symphony orchestras.

ROVNER: Professor Clarke, you are a composer of great merit and your works are frequently performed in Europe. As is known, you are a member of the trend in contemporary British music known as the New Complexity movement, which gained a reputation during the last few decades. Among these composers Brian Ferneyhough is the most well-known composer. Could you tell us what constitutes the New Complexity movement?

Tuesday, 29 March 2011 20:11

Intreview with Boris Avramets (Boriss Avramecs)

Published in Interview Written by Anton Rovner

Boris Avramets (Latvian spelling: Boriss Avramecs) was born in Riga. He studied violin at the Latvian State Conservatory and ethnomusicology in the doctoral program of Moscow Conservatory (1978-1981) with Givani Mikhailov, completing his dissertation in 1990 in Vilnius, Lithuania. He is on the faculty of the Latvian Musical Academy, the Academy for the Arts and the High Pedagogical Institute, reading lectures on 20th century music.

Tuesday, 29 March 2011 20:11

Romantic pianist of modern formation Dmitry Bashkirov

Published in Interview Written by Tushishvily D.

You are the owner of Robert Schuman medal. Tell us how did you receive it?

It was long ago. In my youth I played a lot of Schuman works and often performed in the GDR. I also participated in the contest conducted in Zwickau as the member of the jury. It was my student who won the first prize. So this is a honorary medal for certain achievements in the interpretation of music by Schuman.

 

The concerts’ halls are always full. But maestro Kogan never stops at what has been accomplished. He works tirelessly to expand the repertoire of the headed team, to improve his craftsmanship and to attract the best musicians. The vast knowledge and uncompromising attitude of Pavel Kogan to his work is guarantee of creative success of MSASO under his control.

 

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